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MUSEUMS IN PAKISTAN

On independence Pakistan inherited seven museums, out of which Museums at Lahore and Peshawar were run by the Provincial Governments while site museum of at Harappa, Moenjodaro, Taxila and the Armoury Museum in Lahore Fort were looked after by Central Government through its Department of Archaeology.

Immediately after independence plans were taken in hand to establish National Museum of Pakistan. It was on 17th April 1950 that the National Museum of Pakistan was inaugurated in Freer Hall building, replacing the defunct Victoria Museum

In order to advise the National Museum of Pakistan to enrich its collection through new acquisition, an Advisory Council for the purchase of antiquities and works of Arts was also formed by the government in 1950.

The development of museums in the country has been spectacular and the last decades have seen quite a few museums being established and many others reorganized on modern lines.  Recently a museum exclusively devoted to Allama Iqbal at Javed Manzil, Lahore and another House Museum in the Quaid-I-Azam House (Flag Staff House) Karachi have been established.  The detail of the existing museums under the charge of the Department of Archaeology & Museums as well as some of the private museums is given below:

National Museum of Pakistan:

Established in 1949, A Journey through History of Ancient Civilizations
Subject: Archeology, history, manuscripts, historical records, numismatics and ethnology

At the entrance of the gallery, large relief map of vast territory of South-Western Asia shows routes that linked various regions. Inside the gallery is chronologically placed material from Stone Age, village cultures of Baluchistan and the great Indus Valley Civilization, which flourished more than a millennium from 2500 BC, influencing an area four times that of ancient Sumer. Harappa and Moenjodaro are now known as twin capital of this vast urban civilization.

What surprises the modern mind is careful town planning that went into building up Moenjodaro. The carefully laid-out streets, well-aligned houses, the efficient water-supply and drainage system and rectangular blocks pre-suppose the rule of well-established and strong civil authority enforcing strict laws.

Charred remains of wheat and other cereals coupled with drawings of certain animals and fish indicate the intake of wholesome diet by people of the region. Mystery still shrouds the seal found in twin capitals and pictographic script still remains to be deciphered to unravel many unknown facts about the ancient inhabitants of Indus Valley.

Humped and short-horned bulls, elephants, wild boars, tigers, rhinoceros engraved on the seals tell of their existence in that early civilization, just as clay and faience, models of dogs, ducks, squirrels, doves, parrots and peacocks that have been unearthed.

The creativity and aesthetic sense of the people of Indus Valley Civilization are evidenced in their use and design of beautiful jewelry. The original bust of King Priest that is kept in glass case in the Museum testifies to the fact that both men and women wore ornaments made of semi-precious stones, gold, silver and bronze.

Household objects, pottery, needles, awls, axes, saws, sickles, knives, locks and fishing hooks are encased in glass window. Generally these objects went into the grave with their owners and custom of burial was conventional practice among the people of Indus Valley Civilization.

Diorama near the Eastern side of the gallery depicts Moenjodaro waking to the day's business. One sees double-storied buildings, porters loading cotton on boats ready to set sail on Indus, potter and carter at work and mandarins on the move.

Outside the Buddhist gallery, a show-case display objects like terracotta figures, copper utensils, iron implements which furnish yet another proof of their maker's creativity and artistic skill. They were the people who inhabited the vicinity of modern Taxila, remains of ancient Gandhara region in North-west of West Pakistan.

In Gandhara Art Buddhist legends dominate. Its subject matter principally relates to the study of Buddha, representing his conception, childhood, marriage, renunciation, enlightenment, preaching and death. The statues of Buddha, found in Taxila, depict various ways of posture and meditation.

Before his enlightenment , he was called Boddhisattava. At that stage, he is shown as Raja (king), wearing ostentatious robes and jewelry. As Buddha, he is depicted in simple robes with serene face and a halo. A view of Buddha heads reveals traces of Greek influence, as do some other statues, found in this section of Museum, reminding one of the image of Hercules or some other Greek mythological figures.

Non-Buddhist deities also occur in Gandhara art. Of these, the popular ones are "Indra", "Brahama" and the thunderbolt carrier "Vajrapani". Toilet trays with embossed or carved legendary romantic scenes of Greek and Roman mythology are also seen on the walls.

Among Northern wall are dioramic panels depicting life-story of Buddha, arranged in series. Along Southern side are other specimens of stucco and terracotta figures and representation of Buddhist monastery at Takht-i-Bahi shows the living quarters of Buddhist monks and quadrangle of worship and prayers, while a tall stupa towers over the scene.

Covered passage, leads to the next gallery, displays gold ornaments and jewelry. The workmanship on these objects proves the high degree of advancement reached by Gandhara people.

Next section displays Hindu sculptural art, which flourished in both East and West Pakistan, from 6th to 11th century AD. With few exceptions, smoothly finished and minutely detailed sculptures are in fine-grained, dark-colored basalt from East Pakistan. Main figures here are those of "Shiva", "Surya", Sun-God and "Vishnu".

Sculptures for West Pakistan include two fine examples of brass statues of "Rama" and "Brahma", obtained from Tharparkar in Sind. Marble and wooden carving from Hindu Temples add to the exquisite craftsmanship and beauty found in this section.

In Southern wing of the first floor is situated Muslim gallery. There are arms, armors, ceramics, brass and metal wares, scientific instruments and specimens of Buwayhid textiles, woven in contrasting colors of brown, blue or black with buff white. The most important object is Mohammad bin Qasim's siege of Debal in 711 AD. Arab army, equipped with large, wheeled catapults capable of throwing heavy stone missiles across long distances, are shown here. It was this conquest which ushered in 1000 years of Muslim rule in the subcontinent, a sequel of which is the creation of Pakistan.

From Bhambore, about 40 miles from Karachi, have been excavated the earliest remain of Islamic culture of Pakistan. A number of copper coins of Umayyad period have been found along with specimens of pottery made in Syria, during that period. Those are unglazed, white, thin-textured and molded in relief with "Kufic" inscription and floral-geometric patterns. Glazed pottery vessels, drug up from the same area, show Persian influence, which became more pronounced in the specimens recovered from upper levels.

Glass articles show high quality of craftsmanship and technique, known to have existed in Syria, in early Islamic period. Ceramic ware objects with artistic carving were also popular in Muslim world, so that they gave rise to the "cut glass" school in Iran. All the phases in the development of glass ware by Muslims are represented in the gallery.

Metal ware with floral decorations from subcontinent and Central Asia is also on display. Some of the silver inlaid brasses in Seljuk style are among the most beautiful in the world. Art of metal decoration was developed in individual and finer style under the patronage of Mongol in subcontinent.

On the second floor of Museum, there is fantastic display of Muslim calligraphy. Angular "Kufic" and cursive "Naskh" are the early forms used during the first century in Islamic architecture, in copies of Koran and in textile and pottery, written in vertical strokes.

Miniature painting of portraits of Mongol emperors, queens and princes, who patronized the art, also adorn the gallery. A number of these paintings depict hunting, court and romantic scenes. In these miniatures, Persian delicacy of detail and linear grace blend with the characteristic Indian palette of varied greens, glowing reds and oranges.

Numismatics Section of National Museum stored a large number of coins from the earliest punch marked pieces to 19th century. A few enlarged models of gold coins, among these, the one found in Banbhore, bearing the name of Abbasid Caliph, Wasiq Billah, minted in Egypt in 884 AD.

Ethnological gallery, on its western side, shows representative collection of the living culture of various tribal, semi-tribal and part of the rural population, living in different regions of Pakistan.

PNCA Art Gallery

Idara Saqafat-e-Pakistan (Pakistan National Council of the Arts) runs two art galleries. The National Gallery is located at House # 77, Street # 48, F-7/4, Islamabad (Tel: 9204951), where contemporary Pakistani art is on permanent display besides revolving exhibitions & paintings available for sale. The other is Children Art Palace, # 77 School Road, F-7/4, Islamabad (Tel: 221286), where Children's art is on display and regular art classes held for children.

Pakistan Museum of Natural History

The Museum of Natural History is located in the National Park on Garden Avenue, Shakarparian, Islamabad. The Museum depicts the early human history, geology, and the wild life of Pakistan. The exhibits are of particular interest to students and children. It is open to public from 9:00 a.m. to 4:00 p.m. except Friday. Entry is free.

Islamabad Museum

Islamabad museum presents a long historic sequence of the land where Pakistan is situated today. Pakistan has been a seat of the world's leading civilizations from the time immemorial. There is plenty of evidence to support this argument now on display in Islamabad Museum. For example, 20 million years old fossil remains, 2 million years old man-made stone tools, 7000 years old early human settlements which lead to the world famous Indus Civilization, Gandhara Grave Culture and Gandhara art, early Islamic settlements, Sultanate and Mughal period, their art and craft.

The Museum is located at Garden Avenue, Shakarparian, Islamabad. It is open for visitors, Thursday to Tuesday, from 09:30 to 16:30 hrs without break. Wednesday is weekly off and there is a prayer break on every Friday from 12:30 to 14:00 hrs.

Lok Virsa Museum & Heritage Library

The Lok Virsa (National Institute of Folk & Traditional Heritage) works towards preserving the living folk and traditional culture of Pakistan. Its Folk Heritage Museum, located near Shakarparian Hills, has a large display of embroidered costumes, jewellery, woodwork, metalwork, block printing, ivory and bone work. Traditional architecture facades exhibiting such skills as fresco, mirror work, marble inlay, tile mosaic and stucco tracery are also displayed. Lok Virsa Heritage Reference Library is equipped with resource data on ethnography, anthropology, folk music, art, history and crafts. Museum and Library timings are: 8:30 a.m. to 4:00 p.m. Friday closed. (Tel: 9201651, 9203983). Books on culture, heritage, audio and video cassettes of folk and classical vocal and instrumental music are available for sale at Lok Virsa's Sales Centre.

LOK VIRSA
The Lok Virsa (National Institute of Folk and Traditional Heritage) works towards preserving the living folk and traditional culture of Pakistan. Its Folk Heritage
Museum, located near Shakarparian Hills, has a large display of embroidered costumes. Jewellery, woodwork, metalwork, block printing, ivory and bone work.
Traditional architecture facades exhibiting such skills as fresco, mirror work, marble inlay, tile mosaic and stucco tracery are also displayed. Lok Virsa Heritage Reference Library is equipped with resource data on ethnography, anthropology
folk music, art, history and crafts. Museum and Library timings are 8:30 a.m. to 4.00 p.m. Sunday closed (Tel: 9201651, 9203983).
Books on culture and heritage, audio and video cassettes of folk and classical vocal and instrumental music are available for sale at Lok Virsa’s Sales Centre, also located near the Museum.

Taxila Museum

A museum comprising various sections with rich archaeological finds of Taxila, arranged in chronological order and properly labeled, has been established close to the site. It is one of the best and well-maintained site museums of Pakistan. Summer timings of the museum are from 8:30 a.m. to 5:30 p.m. with two hours break. Winter timings are from 9:00 a.m. to 4:00 p.m., without break. The museum remains closed on the first Monday of every month and on Muslim religious holidays. Entry ticket costs Rs.4 per person for museum and Rs.4 per person for archaeological sites.

PTDC has a Tourist Information Centre and a Motel with 7 rooms and restaurant facility, just opposite the Museum. There is a Youth Hostel nearby, offering accommodation for members of International Youth Hostels Federation (IYHF).

Lahore Meseum

Opposite the old University Hall, a Mughal style building on the Shahrah-e-Quaid-e-Azam, houses the Lahore Museum. The Museum contains some fine specimens of Mughal and Sikh door-ways and wood-work and has a big collection of paintings dating back to Indo-Pakistan, Mughal, Sikh and British times. It has also a collection of musical instruments, ancient jewellery, textile, pottery and armory. There are also relics from the Graeco-Bactrian times as well as some Tibetan and Nepalese exhibits.

PESHAWAR MUSEUM

Peshawar Museum is housed in an imposing building of the British days. It was formerly the Victoria Memorial Hall built in 1905. The large hall, side galleries and the raised platform which were used for ball dances now display in chronological order finest specimens of Gandhara sculptures, tribal life, the Muslim period and ethnography.

QUETTA   M U S E U M S

The Archaeological Museum at Fifa Road has a collection of rare antique guns, swords and manuscripts. Geological Survey Department on Sariab Road (6 kms) has a collection of rocks and fossils.

Swat Museum

Headquarters of Swat Valley, Saidu Sharif houses the Swat Museum which contains one of the finest collections of Gandhara art in the world.

National Museum of Science & Technology, Lahore

National Museum of Science and Technology, Lahore has been established as a public service centre for promotion of Science Education with the following aims and objectives:-

a) to create scientifically educated citizenry in the country;

b) to promote in the public mind an interest for science and technology and develop a scientific attitude in the masses;

c) to arouse in the students an interest for the study of science and technology;

d) to help people appreciate the contribution of science, technology and the work of scientists for human welfare and civilization;

e) to supplement the teaching of science in schools and colleges.

Timing Mon-Thu & Sat 9am to 3pm Fri 9am to 12am.

 Other museums are:

  • Bahawalpur Museum
  • Bhambhore, Thatta. Archaeological Museum
  • Bhit Shah, Hyderabad, Sind. (The Bhitshah Cultural Center includes a muesum and cultural center)
  • Chitral Museum
  • Faisalabad. Agricultural Museum
  • Harappa. Archaeological Museum
  • Hyderabad. Fort Museum, Pucca Fort
  • Hyderabad. Sind Provincial Museum
  • Karachi. National History Museum
  • Karachi. Quaid-i-Azam Birthplace Museum
  • Lahore. Allama Iqbal Museum
  • Lahore. Lahore Fort Museum
  • Lahore. Faqir Khana Museum
  • Lahore. Holy Museum of the Badshahi Masjid
  • Lahore. Museum of Science and Technology
  • Lahore. Zoological Museum
  • Mardan. Guide's Mess, Museum and Cemetery
  • Mohenjo-daro. Archaeological Museum
  • University Museum-Peshawar
  • Rawalpindi. Army Museum
  • Sialkot. Library and Museum at Birthplace of Allama Iqbal
  • Umarkot. Archaeological Museum
  • Chakdara Museum
  • Chughatai Museum,   Lahore
  • Shakir Ali Museum,   Lahore
  • Arts & Craft Museum   Lahore

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